The Merbrat found the soundtrack I’m going to sleep to for the rest of my life.
I’ve always found the sound of the warp engines on the Enterprise-D to be quite soothing. Now there is twelve hours of it, streaming.
The Merbrat found the soundtrack I’m going to sleep to for the rest of my life.
I’ve always found the sound of the warp engines on the Enterprise-D to be quite soothing. Now there is twelve hours of it, streaming.
I’m not laughing anymore. This was on the Stonekettle Station Facebook wall today.
I’ve done a cursory look online (check out the image credit on that wikipedia page) and the symbolism does seem to be official if not actually adopted by the branch of military service that Congress funded last month. I’ll try to forgive congress the insult to American intelligence that their funding of one of the idiocracies pet ideas legitimizes.
Yes. That is potentially a theft of intellectual property in the form of a proposed device for the OHM’s Space Farce. …er Force. While you are laughing remember that, to the rest of the world, you are what they are laughing at. You the reader, not you the president. Not you Stonekettle Station. You, dear reader. All of you who count yourselves as Americans. You are a joke if this bullshit is not brought to an end.
Well okay. That was funny.
As far as who owns the rights to the IP in question, that isn’t clear.
I thought of “Mirror, Mirror” after seeing the Trump administration’s new Space Force logo, which the president tweeted out Friday with a characteristically awkward nod to our “Great Military Leaders” of the “Sixth Branch of our Magnificent Military!” (caps and punctuation his). Within minutes, the logo was lampooned widely for appearing to rip off the logo for Starfleet Command from “Star Trek.” Indeed, with the two logos placed side by side, the resemblance is so remarkable that I had to wonder whether Melania Trump was part of the design committee.
Apparently, the new logo is just another iteration on the former Air Force Space Command logo, which also featured an upward pointing delta, but the final product with its concentric rings and swooping orbits looks so much like Starfleet’s, I fear it could easily confuse any Vulcans and Klingons who see it.
This somewhat comical appropriation of “Star Trek” imagery carries a certain irony. The universe of “Star Trek” has always provided a hopeful, near-utopian vision for humanity, where we have finally learned to set aside things like racial prejudice and gender inequality, and we all work together toward a common purpose and quest. Money is a thing of the past because no one wants for any material need, and we have united much of the galaxy in a peaceful assembly of sovereign worlds.
Contrast that for a moment with the current administration’s values and practices: racial resentments and fear stoked for cynical political purposes, the wealthy made even more obscenely so through grift and political influence, coarse and bullying behavior masquerading as diplomacy, to name but a few. Even the notion of a “Space Force” seems patently absurd coming from an administration where science is mocked and disregarded.
At times it truly feels like the past three years have had us beamed into a parallel universe, where instead of a president we have a mendacious thug, and where notions like the U.S. Senate being a deliberate, serious body that serves as a vital check on presidential power now seem quaint and naive.George Takei
If, however, the government took orders from the OHM, and the OHM’s intent was to mimic the Starfleet insignia (being an idiot of very little brain, but then I repeat myself) then the logo for Space Force as it is presented by the OHM probably constitutes theft of intellectual property. Proving the theft, proving the OHM’s intentions, then becomes the next hurdle to clear.
The Starfleet insignia as we know it today didn’t exist until the motionless picture (my second favorite Star Trek film) back in 1979. This was long after Gene riffed on the theme of the gold pins that NASA gave to astronauts on going to space to create the various ships insignias seen in the original Star Trek series (1967-69) None of those pins have an upward delta device with a star, also pointing upward, in the center of them. That insignia was just for the Enterprise crew, and the star inside the stylized delta represented command crew. A real fan will know what the two other symbols inside the delta were, and what they represented. The Air Force Space Command insignia does have a delta pointing upward, and that has been acknowledged to be a Star Trek reference. There is your bit of trivia for today.
Stonekettle Station has a tricorder. Well, almost a tricorder. If the device captured all measurable energy in the recording field and not just the visible light, they’d have a tricorder. The future is now.
On May 10, 2011, the X Prize Foundation partnered with Qualcomm Incorporated to announce the Tricorder X Prize, a $10 million incentive to develop a mobile device that can diagnose patients as well as or better than a panel of board-certified physicians. On Jan 12, 2012, the contest was officially opened at the 2012 Consumer Electronics Show in Las Vegas. Early entrants to the competition include two Silicon Valley startups, Scanadu and Senstore, which began work on the medical tricorder in early 2011.Wikipedia, the free encyclopedia
…He might have first run across René Auberjonois in Star Trek: Deep Space Nine. I will always think of him in his role from the series Benson, the only spin-off from one of my favorite TV shows, SOAP, and the only other character aside from the title character from SOAP that was really memorable. I had forgotten that he played Father Mulcahy in the movie version of M*A*S*H. I’ll miss him and the others from Trekdom who have left us over the last few weeks. It has been a rough year.
How did I not know that Ethan Phillips was also in Benson?
The release date for the ninth and last of the originally slated sequels to the 1977 blockbuster, Star Wars, has been announced. When George Lucas was rewarded for his work on the original film, put together with a shoestring budget (judged by today’s movie budgets) he was floored by the fanbase that he had unwittingly created. People who willingly shelled out money for tickets to see the same film, over and over again for over a year, a feat that hadn’t been witnessed in movie history since Gone With the Wind had been released, a full human generation previously. When George Lucas saw how much money he could make in creating sequels to his original work, he abridged his stand-alone creation and let it be known that he had a lot more story to tell, if people were interested.
…and they were interested. The Empire Strikes Back was the second-best selling film after Star Wars when it released. Mr. Lucas went outside of the group that made the first film possible in order to realize the second film, but the movie made big bucks and set us on the course that we’ve been on, Star Wars and movie-sequel-wise, ever since.
Return of the Jedi, the third film in the franchise, didn’t do as well as the previous two films, even though Mr. Lucas brought the film back home to have it made under his direct supervision. It was at this time that the nine film series narrative emerged. After the third film was in the can and George Lucas was looking for his next project. This was when Star Wars became Episode Four, and the plotting of the three prequels began.
Of course, we had to have the digital updates of the original trilogy first. And then we got the forgettable Star Wars episodes one, two and three. The kids liked them, so they sold well enough. There was a cartoon series about the Clone Wars and there were other spin-offs too numerous to mention. For someone who was let down watching the first Star Wars because the novelization was better than the film, it is hard to imagine waiting on the edge of your seat for anything Star Wars after those prequels dropped.
There were no theaters in Leoti, Kansas or Stinnett, Texas, the places where I was trapped during the year 1977, when Star Wars first hit movie theaters. The family had zero funds and bigger problems than my desire to see the epic adventure of our time, to deal with. So I didn’t get to see the movie when it released. I had to borrow a paperback copy of the novelization from the library in one of those two places. It was probably Stinnett. I didn’t get to see the original film until Empire Strikes Back was in release, and then I managed to catch the two films back to back in a new-fangled, dual screen twin cinema, constructed on the edge of my place of exile in 1980, Garden City, Kansas. One of the last things I did in that town before being shipped back to Texas.
It should be no surprise to long-time readers of the blog that I was much more impressed with the second Star Wars than I was with the first. An impression only strengthened after watching the third film, and then in witnessing the digital cheapening of the first trilogy in preparation for the release of the prequels.
I knew that what would come out after that would be questionable, and my impressions of all six of the later films is filtered through that doubt, the unwillingness to be suckered once again into paying money for an experience that couldn’t possibly be as good as what my own imagination could create in just reading the screen plays. Enjoying fantasy requires the suspension of disbelief, and I don’t have the willpower to suspend disbelief for something so clearly created just to manipulate my feelings with familiar characters. One. More. Time.
Is anyone waiting to see this film? Waiting like I waited to see Empire Strikes Back? Wanting to know what will happen next? Will Luke and Leia get together? They blew up the Death Star but the Emperor is still out there. Surely he has more versatile weapons at his disposal? We know all that stuff now, and none of the original characters have survived to be part of this last film.
Everyone has known the name of the ninth film for awhile now. The Rise of Skywalker. Does anyone care about these new characters? Just curious. I don’t. I’d like to care about Rey, but episode seven was just an orgasm of special effects loosely hung around the bare bones of the exact same story that George Lucas used in the original Star Wars. I watched episode eight specifically because Mark Hamill was going to be in it. It too was largely forgettable and I have mercifully forgotten it over the course of the last few years.
The best Star Wars film I’ve ever seen isn’t even one of the nine films. The best Star Wars film was Rogue One, with Solo coming in for a close second. Rogue One spins out a tale about how the plans that are mentioned in the original film’s crawler came to be in the hands of the rebel alliance. (h/t to screenrant) no, the film does not follow the previously established narratives for how the plans were stolen. None of them were in movies, so their relevance to the canon as established in film is really irrelevant, unless you are a die-hard fan.
Solo of course is all about Han Solo, my favorite character from the first and second films. I followed Harrison Ford from then to now, watching every film that I could afford to go see that has had him in it. Harrison Ford has been worth the effort to follow. His career has encompassed many movies that cannot be described accurately with words. You simply have to experience them to appreciate them. Movies like Blade Runner. The man is a master on screen, like few movie stars can be. The actor for the Solo movie did a passing good job of capturing Han Solo, the character, not Han Solo as portrayed by Harrison Ford. A subtle but important difference lost on people who aren’t movie buffs. He did well enough on screen following the master that I have to give him credit for trying, even if he fails to be Harrison Ford in presence on screen. No one but Harrison Ford could be Harrison Ford, in much the same way that no one but Morgan Freeman can be Morgan Freeman.
Harrison Ford has been worth the effort, even having to suffer through episode seven just to see the ignominious end of the character of Han Solo. As Harrison Ford said, when asked about the film “I got paid”. His were the only scenes in episode seven that were worth the price of admission. Episode nine has the abramanator once again in the director’s chair. Nothing the abramanator has done has ever been worth the price of admission when viewed in hindsight. I doubt that episode nine will be, either.
wait til it comes to cableMark Hamill
This discussion started in the Babylon 5 fan group. There is a rule in the group that disallows all politics and religion that isn’t part of the show from being discussed in the group. If a post strays too far into the real world, the moderators will delete it. I know why moderators do this, but I don’t honestly care. It is unrealistic to expect human beings to be able to separate their beliefs from the entertainment that they enjoy. Especially a show like Babylon 5 or Star Trek, shows that are always tweaking politics and religion in the course of their storytelling. Discuss any episode of the show without straying into weighty matters of philosophy or politics. Go ahead and try.
The long and the short of why I started the article this way is, I have no idea how long the writing I’ve done on the subject will exist within the Facebook group. It just takes one religious zealot, one antitheist, and the thread goes poof. Can you blame me that I want to export the writing so as preserve it?
This image is from the Babylon 5 episode Believers. Here is a link to a synopsis of the episode in case you haven’t seen it or if you don’t want to spend an hour watching the show right now. Also, you should stop reading now if you don’t want any spoilers before you watch the episode, because this article will be full of them.
Still with me? Okay then, here we go. Don’t say I didn’t warn you.
The OP included this statement with the image, “I still remember how outraged I was when I saw it the first time.” A sentiment that I wholeheartedly endorse. When the episode aired back in 1994 I was furious when the credits rolled. As a young parent myself, I couldn’t imagine how any parent could be so blind as to do what they did in the final scenes. The story revolves around a sick child,
Shon, a young alien boy, has developed a “congested blockage in his upper air passages.” When Dr. Franklin explains to Shon’s parents that Shon’s condition can be cured by a fairly routine surgical procedure, the parents seem bewildered. “You will cut him open?” they ask, and explain that the “Chosen of God” cannot be “punctured” — for their souls will escape.
The main conflict of the episode, above, is introduced in the teaser opening. The show starts this way for a reason, and develops the way it does specifically in service to the moral quandary of the problem. “Oh, but his soul!” say his parents. The soul is unmeasurable, unidentifiable. The soul, for the purposes of this episode, is non-existent. The McGuffin, in scriptwriting terms.
There are other episodes of the show where the soul is treated as a physical or at least detectable energy presence. The episode Soul Hunter, eight episodes before this one in the first series, springs immediately to mind as an example of this. So the problem isn’t that there are no souls in the show, or that the writer, David Gerrold, didn’t flesh out the story well enough. It is simply necessary in this episode that the presence of the soul cannot be detected because if it could be verified as being present after the surgery, then there is no moral quandary. There is no story to tell.
When I ran across the thread discussing the episode it already had over 100 comments. However, in reading through the comments I found a near absence of understanding of the purposeful moral dilemma presented by the story. Comments like this one,
Sorry, but I call BS on that one. “Unmeasurable, unidentifiable; AKA, non-existent.” Is nothing more than an argument to silence. For the vast majority of human history things like cells, atoms, and gravity were “Unmeasurable, unidentifiable;” so they were “AKA, non-existent”, right? Just because it is not (yet) measurable does not mean it does not exist.
As I have mentioned a number of times about this episode, the reasons for this particular belief were not addressed. That’s either a failure of Franklin or David Gerrold.
His willingness to blame the writer and actor simply reveals his beliefs on this particular subject. His rejection of the argument is far more revealing of his moral rigidity and lack of understanding of the mechanics of storytelling than it is a truthful observation about the episode and the moral quandary that it contains.
Like the trolley problem, there is no right answer to this problem. In the trolley problem you are asked to choose between taking one life or five under varying circumstances. When the problem is framed one way, you predominantly get an answer that underscores utilitarian ethics; i.e. most people will choose to sacrifice one life to save five. However, when the problem is framed another way, usually requiring the person making the decision to take an active physical role in the decision by pushing a person onto the tracks to stop the trolley, as one example, most people will chose to allow the five people to die.
The problem here, narrowly defined, is medical intervention vs. natural selection. The doctor is required to help his patients. He makes a reference to this fact when he alludes to taking a medical oath to do no harm. The good doctor saw his moral obligation as at least attempting to save the child’s life. The child will end up dead no matter what the doctor does. Of course, neither he nor the audience knows this until the reveal at the end.
The parents knew their child was dying. They expected to find him dead when they were summoned back to the medical lab. When he was instead alive and well, they knew that the doctor had violated their beliefs and saved the child against their wishes. So they acted on their beliefs and did what they thought should have been allowed to happen in the first place.
If the soul is measurable, produce a measurement. If it is definable, define it in a way that can be demonstrated empirically. In this specific episode of Babylon 5 there was no measurement, no definition. In the world that we exist in, believers have been trying to prove the existence of the soul for hundreds of years. They have yet to demonstrate a single method for determining the properties of a soul, and yet few humans will step forward and say they have no soul. Why is this? The soul cannot be shown to be real by any measurement that we humans can attempt, and yet we all still believe that we all have a soul. That it is important we not deny the existence of our own souls.
The doctor is certain that the parents will see reason. He is certain about what his moral path is. The parents are certain that their child should be dead. They are certain of their moral path. The conflict is unresolvable, on purpose. You are supposed to question “what is the moral course?”
Delinn asks the only important question “Whose beliefs are the correct ones?” when she refuses to help the parents stop the operation. Whose beliefs are correct, and how do you demonstrate the correctness of your beliefs? What would have happened if the parents had accepted that their child was healthy but unchanged? If they had taken him home to their planet, would the rest of their people have recognized him as a demon on sight? Or would they have blithely accepted that medicine had saved the boy without loosing his soul? They wouldn’t know that he had been cut unless they could sense the change in his body like a soul hunter would in that other episode.
The boy’s parents did know, because they said goodbye to him minutes before he would have died only to return and find him alive and well. But if they could have accepted him, would anyone else have noticed? This was the lesson I learned from the episode and I’ve carried it with me ever since. You cannot save a child from their parents without removing the child from the parents. The separation has to be physical, and the child has to accept that this is the right thing to do. Without that action, without the agreement of the person you are trying to help, you will simply deliver the lamb to the slaughterer at another time and place, and you might as well have not bothered to make the attempt in the first place.
Act or not act, the outcome is the same in this story. The only question is, what was the moral thing to do? I still side with Dr. Franklin. You, however, are free to disagree.
The avalanche has already started; It is too late for the pebbles to vote.Ambassador Kosh
I was aghast to discover that I had missed a Philip K. Dick novel the other day. I had shared an image on Facebook that discussed the dangers of pissing off a redhead (or ginger. This image.) something I do every day with the Wife, especially when I point out that her temper proves she is a ginger. That woman can punch hard when she thinks she’s being insulted. However, I’ve seen the carpet a few times in our thirty years of marriage. She’s a ginger. The sun lightens the hair on her head, as it does for most strawberry blondes. But the long-running argument between Red and I wasn’t the subject I wanted to discuss here. Missing from the image was one of my favorite examples of redheads that you really don’t want to piss off, and that is the potentially causality destroying character from the movie Prince of Darkness.
Hell hath no fury like a woman scornedThe Mourning Bride, by William Congreve
…and she was pretty pissed at the end of that film. With good reason. So anyway, another friend and fan of the ginger set said that the clip reminded him of the novel Ubik by Philip K. Dick. Having never read the book I felt I had to remedy my lack of knowledge and went directly to Amazon.com to see if the book was available on Audible. Then I could read the book and find out what it was that he thought was similar between the book and the movie.
Ever since I started getting vertigo I’ve had a problem with the repetitive back and forth motion of the eyes while reading making me tired and dizzy and potentially bringing on vertigo, So I get books on audio now. I listen to so many books that it pays off to have an Audible account. Aside from having a regular supply of books to have read to me, if I feel like I want to access the text of the book I can get whispersync from Amazon to synchronize between the audiobook and the Kindle book, and that makes the experience a win-win for me no matter how I want to learn something new.
This was one of those instances where I was tempted to get both the Kindle book and the audiobook, especially since the page on Amazon offered me the Kindle book for $3.62 as shown in the header image for this article. Less than four bucks more and I could have the book to read for myself if I felt like reading it! So I bought the book and downloaded both versions to my phone. Then I noticed something odd. The Kindle book was not in English, it was in Romansh. I don’t even know what region of the world Romansh is spoken in, much less speak it myself.
Well, that’s weird. The Ubik page on Amazon’s website is written in English and it doesn’t say anything about the other versions of the book that are listed as being in other languages. Feel free to click the link under the image and see for yourself. There is no way to find the English Kindle book short of looking specifically for the book as a Kindle book and that book is not $3.62 it’s $9.99 (free with kindleunlimited! Another fucking subscription service. Just what I need.) more than twice the price of the Kindle book I was first offered. I know what this is, even though I’ve not seen it too many times before. This is false advertising, and I’ve been taken in by it.
So I started the refund on the Kindle book in a language I can’t read and opened a chat dialog with someone at Amazon so that I could resolve the problem of being sold something that I didn’t want. What I wanted was the book in English, the language the book was originally written in, and I wanted it at the advertised price on the Ubik page on Amazon. I mean, it takes less work to port over the exact type script of the original work than it does to pay someone to translate the book into another language, edit, copyedit, format, etc. the new manuscript into another language. Why was the Kindle book twice the price?
Well, I know why the Kindle book was twice the price, as does every person who deals with the frustration of getting any book in this day and age. Amazon and Apple and just about every other digital book publisher rigs the prices of books through contractual obligations at artificially high prices where they can get away with them, and then offers bargain prices where they cannot gouge the unsuspecting customer. And after an hour or so of arguing with the representative in the Amazon chat service, they conceded I had a legitimate complaint but that they were not contractually able to offer the digital books at the same prices that they offer them at in other countries and for other languages. However, I could get a credit for the difference in price between the two books, and that was the best that they could do for me. So I took the only route available to me and accepted the credit offer. Not that it really made me happy.
Today on Facebook I was offered a memory I may have missed from June 11th, 2018. Hey, it’s been a year and four days since the Amazon/Ubik conundrum. I’ve listened to/read the book now. More than once. I know why the dream sequence reminded my friend of that book. The one unresolved conundrum here is that the webpage for Ubik on Amazon still takes you to the Romansh Kindle version even when you type “Ubik” in a fresh instance on the Amazon store. Even though I returned that book and bought the English version for a final price of $3.62 when the store credit was applied. Even though I helpfully reiterated the potential legal liability that Amazon was opening itself up to by putting a price and no stated language waiver on the combined Ubik page that you land on when you type in Ubik on their home screen.
One whole year later, still not fixed. I saved the chat session logs. I saved the page images. It’s a simple thing to reassemble the entire conundrum, so I figured I’d do that. I mean, I’ve given them a year to fix their programming and they still haven’t done it. I wonder how many Kindle books there are out there that are offered at a lower price in a language other than English, versions that are offered on landing pages when you go looking for a book by its title? Books that are not the books that the shopper is looking for, even though they are tempted to buy the books for the lower price stated, later to have to go through the exact same process I have had to go through? There’s a class action lawsuit in there somewhere for the savvy lawyer to take advantage of. Just send my children the finders fee twenty years from now when the lawsuit settles, would you?
“To clarify, most of the ‘not on service’ shows are available for purchase on Amazon, but are not included with a Prime Video membership,” the analysts wrote. “So, consumers are confusing the streaming service for the Amazon video store.”
Even worse, the firm suggests that “it may be Amazon’s strategy to use Prime Video as a barker channel to upsell consumers to rent or buy the titles they want to see.”
InIn other words, the interface could very well be intentionally set up to prey upon your impulses at exactly the moment when you are most vulnerable. Let’s face it—how else are you going to save this pitiful Saturday night?Fast Company – Amazon Prime Video is confusing its customers with bait-and-switch tactics, survey shows
Facebook Memories has served up the hack job I did on Star Trek: Beyond when that trailer came out. I’ve run across it more than once now, enough times that I feel I should at least mention how wrong I was about the film somewhere on the blog. The trailer I saw on Facebook, shared on Facebook, was not the first trailer, but trailer number two. This trailer.
When I shared the trailer I simply paraphrased from Abramantions Multiply: It is still an Abramanation. The possibility of suckage is high.
The damn trailer has the Bad Robot logo on it. I consider that to be fair warning of impending suckage after the disaster that was LOST seasons 4 through 6. I suffered through all of LOST, the Abramanator will not trick me into liking his work again. I tried. I really did. I tried to make sense of those last seasons of LOST. I tried watching the 2009 Star Trek reboot. Then I declared Trek dead. The Nutrek reboots are bad in many ways, as I and others have gone into great detail to describe in the past. Details that long-time readers of this blog will know about. They are bad in ways that a lot of popular movies are bad these days (Star Wars 7. Mad Max 4) but also bad because of the disconnect with the universe that Gene set out to create.
However, I did finally break down and watch Star Trek: Beyond, just as I watched Star Trek: Into Darkness edited for television and wished I could have my two hours back. After watching Star Trek: Beyond I had to admit that not all Nutrek sucks ass to an equal degree. In fact, Star Trek: Beyond really does try to go beyond, to leave all the previous attempts to tell grand movie stories using Star Trek as a vehicle, and just try to do a Star Trek story as a movie.
Simon Pegg penned a decent little story when he wrote the script. The actors playing the parts delivered their usual best work; and since they weren’t working from the Abramantors crap scripts, the resulting blockbuster spectacle is pretty watchable from just about any perspective that you might come to it. It’s not even bad Trek, per se. There are some points that I might object to from a purist standpoint, but those points can be overruled by watching any number of classic episodes that diverged from Gene Roddenberry’s strict guidelines for how the Trek universe manifested itself. At least one of the episodes that breaks his rules is one he wrote himself. So there are flaws that a purist might take exception to, but anyone trying to watch it with disbelief suspended and a willingness to let the story progress unprotested (how to approach watching any film) will probably walk out of a showing counting it as time well spent.
So, apologies to the cast and crew of Star Trek Beyond. For the first time since First Contact they produced a show that was truly worth watching. They produced a payoff for all the fans who have hung on through decades of bad filmmaking. The characters we’ve loved since the sixties finally felt like they might actually be the same characters that we fell in love with, even though they were portrayed by different actors.
Paramount should try to make sure that Abrams’ company logo does not appear on any more Star Trek properties if they want to win fans back to the show. Abrams has burned too many bridges among the fan community to be welcome even producing films that have any kind of fan following. This should have been clear after the failure of Star Trek: Into Darkness. When he screwed up Star Wars after screwing up Star Trek, it has to be painfully obvious that he screws up everything he touches.
But when all is said and done, it’s just another summer dark ride. Lots of great stuff to look at, lots of things exploding, lots of spectacular FX, and when it’s over, you get out of the chair and go pee. There’s not a lot here to argue about. There’s no moral dilemma.
What attracted me to classic Trek is that the show was about something. Every episode had a chunk of idea in it, big enough to chew on for a while.
Too much of what passes for entertainment today is about justifying cruelty to someone else. Not enough is about sitting down and finding a way to avoid the violence.
And I wonder if that’s a reflection of what we’ve become … or one of the reasons we’ve become what we’ve become.David Gerrold
I had some real hope once that this game would eventually see the light of day. Sadly it’s been four years now since its announcement, and there hasn’t been any news of the games continued existence as a work in progress since 2016. Rumor has it that the licensing has run out on the project and the game will likely never be released because FOX is possibly looking to restart the Firefly universe with a new version of the series in 2020. I guess that is a faint hope to hold onto.
h/t to thezombiechimp.com for the info and the links. There are a lot more images of ingame content at that link.
This was the article that I ran across in 2013, archived on the Wayback Machine.
So we’ve discovered the genesis of IOI then? Well, that’s good news.
What’s IOI? Innovative Online Industries. You know, the corporation from Ready Player One. If you haven’t read it, get the Audible version read by Wil Wheaton. It’s excellent. Don’t watch the movie of the same name; or more exactly, don’t watch the movie of the same name and expect to see the story from the book. The movie contains an entirely different narrative, with different characters and different FX sequences. The plot for the book would have been far less exciting on screen, and would have made for a much longer film. As far as video stimulation goes, the movie has excellent FX sequences, they just aren’t plot points that occur in the book. At all.
How do I know that Amazon is the corporation from Ready Player One? Well, for one thing, that cage looks like something that IOI would think was OK for workers to spend the majority of their lives in. For another, the links to the book and the movie both go to Amazon. I could point other places, but they’ll all be owned by Amazon eventually.
The Wife and I watched the film a few weeks back. I had never read the book at the time, she had read the book. We set the viewing up on purpose as a test to see who enjoyed the movie more. I’m pretty sure I won that contest. I had nothing to compare it to and so had no expectations for it to fulfill. She spent the first thirty minutes of the movie just trying to figure out where in the book the scriptwriter started the narrative at, because it certainly wasn’t anywhere in the first half of the book in spite of the fact that the first scenes have him living in the stacks, which is only in the first part of the book.
Having watched the movie I then fell asleep to Wil Wheaton’s voice in my ear for the next week or so, describing the world of Ready Player One. A world that is either a post-apocalyptic hellscape or a capitalist paradise depending on your point of view going into the book. In any case, as usual, the Hollywood version has cardboard cutouts for villains and the novel has pretty well-fleshed characters that you can believe exist somewhere. Neither tale is free of flaws, but both have their own moments of entertainment value.
Just understand that, when I envision the giant robot battle for capitalist dominance of the globe, I will now picture Jeff Bezos inside the Mechagodzilla.