A Graphic Novel That Moved

Sin City (2005)

…and for the art-house approach to cinematography, I give it 1 star. There were no other redeeming qualities to the film. Without a doubt the longest 2 hours of my life. I would have sworn it was at least 3 hours.

There is no cohesive plot to speak of. (not even the disconnected plot line of Pulp Fiction, which this film has been edited to emulate, ergo the guest director credit to Quentin Tarantino I’m sure) The acting is reasonably solid, and the cast was well selected, yet the film was doomed from the outset (like many before it) by its lack of a properly crafted script. The jumps from story segment to story segment are jarring and hard to follow. Nor does the dialog seem natural. It comes out as if the actors are reading it off a page.

The symbology of introduced color does not appear to be consistent (Blue obviously means falseness or error in the film. But red means what? And why is there a Ferengi in the last segment? Was not aware this was a Star Trek film) Nor does the “graphic novel” approach to lighting and effects really lend itself to the cinema experience. This was, perhaps, the fatal flaw in approaching this film as a true “art film” experience, the lack of an internally consistent and recognizable symbology.

All and all a pretty poor film.

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A Screwball Comedy as Big as Texas

Lone Star State of Mind (2002)

“Didn’t I kill you once already, boy?”

Baby

That line still cracks me up. If you’re looking for reality, look somewhere else. If you are looking for some laughs while watching a group of impossible characters attempt what should be a simple task that turns out not to be simple at all; a quest that leads to getting shot, mutilated or run over by a truck (sounds horrible, don’t it? It’s a hoot) This is the movie for you.

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Editor’s note 2019. The Wife can be seen sitting at a table in one of the restaurant scenes. It also features a rare appearance by John Mellencamp. Yes, that John Mellencamp.

The Most Depressing Film I’ve Ever Seen

What Dreams May Come (1998)

I expected more from this film. The pre-release cinematography was gorgeous but the story.. Man. The kids die, the wife dies the main character dies. Depressing, horrible stuff and she goes to hell and everything gets worse. None of this is really a spoiler (even though IMDb has flagged this review as containing spoilers) because all of that happens in the first act of the film. It has to happen for there to be any story to tell in this movie. The entire rest of the film is spent getting back out of hell. You have to have some belief in an afterlife to have any reason to watch this film.

Cuba Gooding’s brief appearance is the only and I repeat ONLY positive moment in the entire film. A nasty depressing ride I can skip ever seeing again.

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Editor’s note 2019. Yes. I get it. It is supposed to be a tribute to undying love. I’m not buying the premise, and if I’m not buying the premise, the film doesn’t work.

An Introspective Look at Indie Filmmaking

Shoot or Be Shot (2002)

It’s an Aleatoric film.

I attended the premier in Austin, Texas. I enjoyed it immensely, especially meeting the cast members for questions afterwards. Sure the edit could use a bit of tightening, but the dialog was witty to sarcastic.

Harry Hamlin and William Shatner delivered solid performances. I have friends and family working in independent film and they completely got into this movie. Sad news folks. those people really are crazy. The real question is what is crazy in relation to film making? If you are making an independent feature, you are pretty close to certifiable already.

IMDb


Editor’s note 2019. The Wife borrowed my IMDb account to write that one lo these many years ago. I spruced it up a bit. We still tell the aleatoric joke to each other when we are watching something that reeks of needing a decent script.

My Favorite Fairytale

Joe Versus the Volcano (1990)

Joe Versus The Volcano (1990) Official Trailer

This is perhaps the most wrongfully maligned film in all of movie history. Everyone I meet hates this film, aside from the lead singer of Abney Park. He wrote a song about it. I’ve watched this film too many times to count. It was my favorite stoner film for a long, long time.

Stoner film? A movie you watch while you are high. Forget Cheech & Chong. Forget Heavy Metal. Forget Dude Where’s My Car. All of those are good. None of them end with a guy jumping into a volcano with his true love. A movie featuring Fish as the native chief who shows Joe which path he has to follow.

The crooked road. The crooked road that he takes to work. The crooked road that mars the plaster in his apartment. The crooked road is everywhere in the film, as is Melanie Griffith who shows off her acting chops by credibly presenting several different characters with the same face.

The New York accent that always sends him down the wrong path. Poor Joe. Repeatedly sent the wrong way by people who use him, yet he always manages to find something of value everywhere he goes.

The mistake everyone makes is taking this movie seriously. It’s not serious. The thing I find most mystifying is that anyone would try to take a film seriously that starts with Once Upon a Time and ends with …And They Lived Happily Ever After. It’s a fairytale. The best fairytale. Try reading Mother Goose or the Brothers Grimm and then get back to me. None of them can hold a candle to this movie.

They just pay me to drive the limo, sir. I’m not here to tell you who you are.

Marshall, performed by Ossie Davis written by John Patrick Shanley

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