I had some real hope once that this game would eventually see the light of day. Sadly it’s been four years now since its announcement, and there hasn’t been any news of the games continued existence as a work in progress since 2016. Rumor has it that the licensing has run out on the project and the game will likely never be released because FOX is possibly looking to restart the Firefly universe with a new version of the series in 2020. I guess that is a faint hope to hold onto.
h/t to thezombiechimp.com for the info and the links. There are a lot more images of ingame content at that link.
This is going to be a bit like stream of consciousness to the reader. My apologies in advance for this if you find it impossible to follow.
I clicked a Youtube video link not realizing I was going on a journey that would take all day.
This kind of slapstick comes across as too funny. Too funny as in 90 minutes of this would kill me with stupid. I might watch it. I might not. I can’t say. It is billed as featuring 40 previous iconic “Star Trek” actors so I might have to see it. But then that is what the filmmakers are counting on when they make these kinds of movies.
While I’m sitting there contemplating whether to hazard my diminishing quantities of brain cells watching so much stupid at one time (like a Marx Brothers film) the dreaded Youtube autoplay kicked in. First it was this short.
Camera motion, blood effects. Chopping one’s own arm off. Yeah, I can see walking out of all of these (I haven’t watched any American Horror Story. It’s just not my style. I am surprised the wife hasn’t wanted to watch it) which is why I haven’t seen some of them. Infrasound would explain a lot of things about certain horror films and my reactions to them.
Crap. Autoplay kicked in again while contemplating Tree of Life (Should I, shouldn’t I? Have I already? Is this me thinking?) What the hell will be next is anybody’s guess.
I’ve seen all but three of these (those three are now in my Netflix queue) Two or three of them are on my “must see” list when someone asks me what to watch next (hint; I have a soft spot for Bruce Dern, Roy Scheider and Sam Rockwell) For the inquiring minds, Heavy Metal was a movie about an adult comic book which apparently nobody ever admits to reading, not about the rock music which may or may not have been either inspired by or the inspiration for the magazine. The artwork in the movie is drawn directly from the various illustration styles in the magazine. Yes, I will admit to reading a few copies in my youth. Regrettably I don’t own any of them anymore.
Had Pitch Black made it on their list, it would have been four movies. I am once again victimized by autoplay.
Not sure all of these films are worth watching, much less being best films you should watch but haven’t. Foreign language films are not for everyone, so I don’t generally recommend them to people I know who won’t be up for reading subtitles, even if I might watch them myself.
I would personally recommend A Boy and His Dog. This is where the list starts to go sideways for me. This and the list that follows this one. It starts with the still image that introduces the list.
Don’t get me wrong, I think 2001 is a fine film. I think you should watch that and 2010 back to back. But 2001 is a snooze-fest. It is glacially slow as a movie. I don’t think a lot of people watch that movie over and over. They remember watching it as a child, but haven’t tried to watch it recently. I have, several times. Like the 60’s it was created in, it takes the right kinds of drugs to appreciate this film properly.
Don’t get me wrong, I love Stanley Kubrick. He has three films at least that I would put in the category of best science fiction films. Not just 2001 but also A Clockwork Orange and Doctor Strangelove. Most film critics will speak highly of Stanley Kubrick and his films. He is an auteur, his films bear the indelible mark of his authorship. But few of his films are light or fun to watch. You don’t just pop in A Clockwork Orange for a bit of light afternoon entertainment.
If they can recommend Strange Days without a caution (and I wouldn’t do that. Be prepared for murder and rape scenes conducted in the first person) then A Clockwork Orange is a walk in the park to watch.
No top ten list of science fiction (SF) is complete without Metropolis and Forbidden Planet. You cannot be a SF film fanatic without having seen those two films and recommending those two films. They can’t be on a list of films you haven’t seen; and if they are, your fan credentials will be subject to revocation.
Metropolis is arguably the mother of all modern SF, a film that has been revisited and reimagined in nearly every tale of dystopia, every film that questions who we really are, any film that posits the difference between man and machine. In the same vein Forbidden Planet is the forebear of Star Trek, Star Wars, etc. Those two films have to be on the top ten list or the list is invalid, in my opinion.
Especially any list that credits The Empire Strikes Back as the best SF film of all time. I doubt very much that anyone who wasn’t raised on Star Wars will think that Empire Strikes Back (much less any other Star Wars film aside from the original) should be on the list, much less topping it. Well, perhaps the original Star Wars; not the now-titled Episode 4, but the film which aired back in 1977, the film that may single-handedly require my maintenance of a functioning laserdisc player in my home. You remember, the movie where Han is the only person to fire a blaster in the famous bar scene? That film goes on a top ten list, if I could ever settle for ten.
I’m lying by the way. I won’t maintain the laserdisc player just for Star Wars. I will do it for the making of disc for The Abyss, for Tron, for the pressing of Highlander 2 Renegade cut and the copy of 1776 with the bits Jack Warner personally cut out of the film spliced back in and the splice marks still visible. I can link the version of 1776 that says “director’s cut” but there isn’t any way to watch the version I like other than on laserdisc. Same for the making of the Abyss which goes into the ordeal of constructing a set inside of and then flooding an abandoned nuclear reactor vessel so that real underwater shots could be pulled off with that deep water feel. The Abyss (special edition only) is one of the many, many films I would have to include in any list of SF films worth compiling.
There are a lot of good films included in their list, but I disagree with most of the films in the top five. I like them but they are all modern films. Derivative works of derivative works, unless you are talking about the Matrix or the Terminator (Not Terminator II. It’s good and a decent rewatch, just not as good as the first movie which it is derived from) both of which should be way up the list, higher than the Matrix actually appears.
Ten through six are all good solid films. I need to rewatch the War of The Worlds. I haven’t seen it since the 70’s on broadcast TV. I have the box set of all the original Planet of the Apes films. They all rewatch well aside from the last one.
Children of Men was a heart-wrenching film to watch, but I have little doubt it will survive as a cautionary tale of meddling with mother nature. The original version of The Day the Earth Stood Still was almost unique in its time period with the portrayal of aliens as not being hellbent on destroying us (a fact that the equally good but not as memorable remake decided to change) which lends it the credibility to withstand time. Children of Men is actually one among many films which portray humans as our own worst enemy.
Jurassic Park is showing signs of age, despite their insistence that it isn’t. Maybe it is the weight of the miserable sequels that colors my impression of it. Can’t tell yet. But Aliens? Really, Aliens but not Alien? I agree the sequels that follow are best forgotten, but how do you watch Aliens without first watching Alien? Can’t be done.
Which is the problem with derivative works and especially sequels. Without context the film is divorced from most of its meaning and has to survive on its own merit alone. This is why The Empire Strikes Back will not be remembered as the best SF film ever. Because without the first film (1977 Star Wars) you don’t know who the Empire is. Why the villain being Luke’s dad is a problem. Who the hell Luke is in the first place.
If we’re just going to recommend sequels, movies that you have to have watched the previous versions to be able to appreciate, I’d like to put in a shameless plug for Terminator Genisys (deja vu if you’ve read my last post carefully) As I’ve noted when recommending previously, the first 10 to 20 minutes of the film (after the first time jump) is a shot for shot tribute to the original film. It is the most beautifully made and scripted film that I’ve seen for awhile now, and it builds on established previous entries into the film canon, builds on them then knocks them all down, in ways that the viewer will not see coming. If you want to watch a good sequel, this is one for you to enjoy.
If I was going to make a list of ten films you probably haven’t seen recently (if ever) but speak highly of, 2001 is going to be top of that list. In fact, most of the Top 10 list that WatchMojo put together are films that I guarantee the compilers have not rewatched recently.
If you surf over to the WatchMojo website you will notice that they do an awful lot of top ten lists. Way, way more of them than is healthy, quite frankly. In fact, I can’t even find the films-by-decade lists that are mentioned in the Top Ten list just to see if the films I think are relevant are on those lists. I think that creating these endless list films that they produce keeps them from taking the time to enjoy the life that they rate in top ten increments several times a day.
I appear to have stumbled upon the kind of site that internet surfers loathe. The dreaded clickbait. The site that sucks up all your life and time, without giving you much in return. This explains why their films list is mostly modern films, or films recently remade with modern versions, like War of the Worlds and The Day the Earth Stood Still. Not an in depth analysis of any real kind at all. And I’ve written how much on this subject now? Several pages, at least.
So what about a real Top Ten List? The ten best SF films ever made? I don’t think I can create a list of only 10 of them. I tried to create one of those kinds of lists ages ago on Flixster. I soon found out that limiting the list to ten films requires that I eliminate films that are essential to understanding the artform. Films like Metropolis and Forbidden Planet.
The profile link for my list says I have 15 films on it. I can’t see them because their website enters an error when I go to click on my own created content. The web 2.0, more broken than the web 1.0 and now featuring more advertising. Luckily I copied a version of it off and posted it to this blog. I have no idea if it is the last one or not, but here is at least one of my lists.
Avatar should be in the top five. We can start with that. A lot of people love to hate on Avatar, but it is the film that inspired the resurgence of 3D and it wasn’t the 3D in the film that was remarkable. It is the fact that you cannot tell the animation from the real images in the film that makes it so remarkable. That you can have such a realistically animated film and not cross the uncanny valley in the process. It is an amazing film, soon to be a series of 4 films.
Top Ten worthy films produced since Avatar? I can offer a few.
Ex Machina. Highly rated and very watchable, it explores the boundaries of what is or isn’t human better than any film I’ve seen on the subject. A film worth mentioning that is also in the vein of Ex Machina is Transcendence, one of those poorly received for no good reason films, consequently not a film that would make a top ten list.
Why won’t Transcendence be a top ten listed film? Because commercial success figures into the calculation of what is or isn’t good, what is or isn’t preserved, what is or isn’t watchable by people who pick up the material to watch later. If the film was highly rated and it made a lot of money, then it is also still a valuable experience to have, even though I don’t know who Luke Skywalker is (spoken figuratively, from the future) if you want to make lists that don’t make you sound like an idiot, you have to take all of those metrics into account. And since future prediction is something we humans suck at, most of our lists will be utterly worthless.
Take, for instance, Gravity. This is a fine film. Highly rated. Made lots of money. Probably won’t be remembered (my apologies to Sandra Bullock) because it deals with current technology and doesn’t do that really well, even though the cinematography is excellent an the acting is nearly faultless.
In the same vein of discussion, the mainstays of current cinema, the sequel, the franchise, none of those films survive without the other films in the series, just like the Saturday morning serials of old. Consequently no Star Wars, no Star Trek, no Mad Max, no Alien will go down in history as worthy of mention, unless the first in the series merits it, or there is established a place for serial media (like television) to be consumed in the order it was produced. This gives the viewing experience context, gives it meaning it doesn’t contain within its own constrained run-time.
That is why Alien appears at number five in my old list, and Aliens at number 10, and those are the only sequelized films on the list. Because films that are part of another genre, that can’t hold their own alone, will not be remembered. This means most of the comic book movies will also not be on any lists, if we can call those SF and not Fantasy. And whether they would be considered SF is an open question, so don’t dismiss it. If we’re talking fantasy films, we’ve opened an entirely different discussion. A discussion where the film Legend figures prominently.
Continuing the SF list. Blade Runner would also have to be on the list. It is iconic. Worth mentioning is Dark City a twisted little film with the same feel and a completely different storyline. Both of those border on fantasy, so I could see how they would be excluded from a hard SF list. That is, if anyone actually knew what hard SF was, could meet others who thought they knew and that group could then agree on what the term meant. I consider that presumption fantasy in and of itself.
As I go down that old list, I can discard several films as being temporarily relevant. Films like Serenity. I still love it, but I am reconciled with the show never returning now. I keep hoping the Firefly online game will release, but I’m beginning to suspect that is also not going to happen.
Vanilla Sky and Eternal Sunshine of the Spotless Mind really are hard to rewatch. The Truman Show is still watchable, but really not surprising in the current age of reality TV. You can easily see someone pretending not to be on camera, deluding themselves into thinking the illusion is real. Sadly, it is all too believable now. Truman not knowing he was on camera? That is hard to believe.
I think A.I. should still be on the list, but it may fall off soon. We are just now getting to the point where robots are real things, much less making them capable of passing for human. The singularity that futurists are still fascinated with is portrayed loosely in that film, making it still relevant. Once the robots are among us, there is no telling what will happen next.
The last film that I’ve seen that should probably be included in any top 10 list is The Martian. Worlds better than Red Planet or Mission to Mars(Hollywood is so incestuous) both of which I paid money to see (Red Planet is good fun, just not good SF) The Martian holds up to the most intense scrutiny of scientists (other than the storm at the beginning) making it the most solidly science based fiction film since 2001.
Worthy of mention is Interstellar. Almost a time travel story (almost!) it mixes science and fantasy and comes up with a decent little film exploring the near future and what we might be facing soon if we aren’t careful.
Which brings me to the last great film that Robin Williams was in before he died, the movie The Final Cut; the story of a man afraid to live his own life, so instead spends his time authoring the stories of other people’s lives.
What else would be on the current list? I’m still working on that.
I want to start this off by saying, I watch Science Channel quite a bit. I like a lot of the programming on the channel; Wormhole, Prophets, Futurescape, Firefly, How it’s Made, etc. Idiot Abroad and it’s spin-offs are interesting from a cultural perspective, if not actually science.
There are also several programs on the channel that I avoid like the plague; Punkin, Oddities, etc; programs that I would not qualify as Science, and if it were up to me I wouldn’t be airing these programs on a channel that I owned and was identified as Science Channel.
Then there is crap like what aired Friday. Earlier this week I was enticed into setting up the recorder for a marathon of Strip the City, it was even advertised on the channel as being featured. Friday morning I tuned in for the re-airs of Prophets and noticed a quiet little banner in the corner suggesting that there was a bible marathon being featured instead of Strip the City. When I checked the schedule, Strip the City was still listed, so I did not cancel the recording.
When I got back home this evening from a rare pleasant outing with the family, what do I find? Four hours of bible myths on my recorder, mislabeled as a program that I found vaguely interesting from architectural perspective; bible myths that not only am I not even vaguely interested in, but aren’t even vaguely science related.
Why is this crap on the Science Channel? Why was the schedule not updated to show that the programming had been changed? In a sales environment, this type of behavior is called a bait a switch and is illegal. Since viewing is tracked through the cable boxes, Science Channel gets to claim that everyone who tuned in to watch Strip the City were actually interested in watching 4 hours of bible myths instead.
Next time please be more conscientious about altering the guides and schedules to accurately reflect what you are airing at any given time. I will be forwarding this message to my cable provider and the FCC. Thank you for your attention.
It’s kind of been done, with Serenity, but yeah as a series. Let me give you one broad statement about these recovery shows. In almost every case the cult around the show gets more intense and smaller as time goes by. Arrested Development was the rarest of birds in that the audience of the show grew larger than the original broadcast audience because people came to discover it years after it was cancelled. The Firefly fan is still the Firefly fan from when it was on TV and there’s fewer of them and they’re more passionate every year. Whereas with Arrested Development we’re going to be serving a multiple of the original audience. Any of the other shows we could bring back would be a fraction of the original audience.
Seriously? Perhaps The Stand deserves chance to be seen but Jericho? That series went nowhere after the first season, and I never need to see that again. Arrested Development? More people talk about that show than ever saw it or would sit down to watch it again.
But the Firefly fan base continues to grow, and that isn’t rocket science. Joss Whedon may not actually walk on water, but with the success of The Avengers under his belt (as well as Buffy) it’s hard to say he was wrong in creating Firefly and I can’t think of a better property that could be revisited given the chance. The problem isn’t Firefly, it’s Netflix. Imagine just for a minute that there were more than thirteen episodes to watch in the first place? It’s kinda like imagining that you could watch Babylon 5 as J.M. Straczynski first outlined it. What kind of show would that be?
The leadership at Netflix clearly lacks the imagination to create Science Fiction content on that level.
Facebook status backdated to the blog. They still don’t do SF on Netflix. Superheroes? Yes. SF, no.
i’m watching tv-movie “supernova” while typing this and im afraid it’s just a complete insult to my own intelligence … can anyone recommend a really good science fiction movie to make up for this friggin’ atrocity?
If I was subjected to torture (being strapped into a chair and forced to watch an endless loop of Barney reruns, for example) and forced to select One Film above All Others as The Best SF film ever made…
I’d have to say Blade Runner. It has the timeless quality of a real classic film, and it is very nearly flawlessly SF.
Since I’m not being subjected to torture, I’ll offer some further thoughts on the subject of “Great” SF films.
The last great SF film was “Wall E”, that I’ve seen. Yes it’s a kids film, go see it anyway.
The Essential SF list runs like this
Metropolis Forbidden Planet A Clockwork Orange Blade Runner Alien Serenity Vanilla Sky The Abyss The Terminator Aliens Pitch Black A.I. Artificial Intelligence Children of Men The Truman Show Eternal Sunshine Of The Spotless Mind
A few days ago, Bob Barr’s election campaign established a goal for their ambitious “60 seconds for Bob” promotional campaign as “Join a Bob Barr Meetup!” In response, I wrote a note to them (which went unanswered, not that I mind) explaining why I won’t be attempting to spend that 60 seconds for Bob.
Today, Austin Bookcrossers informs me that they have re-opened their meetup group. In the process of writing a response, I got to wondering “didn’t I blog on this issue…?“
I mean, the reason I don’t (and won’t ever) participate on meetup.com was a long painful decision reached over the course of several months. There’s an entire section of the forum archived at meetup.com, to this day, that goes into great detail as to why the membership at meetup.com was going to bail out, and why a great many of us were never going to return.
The local libertarian group has been bugging me to join, virtually since the day I deleted my meetup.com membership and watched the two groups I had organized get flushed down the bit bin, but I never thought to elaborate on why I won’t do the meetup thing.
When I first ran across meetup.com, it was related to a political event. If I remember correctly, Howard Dean used it extensively to promote his candidacy in 2003 (in fact, he should have been the Democrat nominee) The Libertarians followed suit, and I consequently joined meetup as part of a promotional effort to get more Libertarians active on the local level.
Or maybe it was a fandom event. Rings on the Range (a local Austin LOTR fan club) was active on Meetup at or about that time. In fact, their meetup page still features a picture of me at one of their meetings (in 2003!) That’s what I call an active group.
Whatever it was, I became a member at Meetup.com. After awhile, I conceived of the idea of getting Austinites together again, to watch SF movies and discuss SF we liked. I had started a Yahoo! group for the Star Trek organization that I had been active in years previously, and there wasn’t an active SF group anywhere in Austin at the time (these days there is Austin Pan-Geeks. You might want to check them out) so I thought “what the heck, let’s see what’s on Meetup.com.”
There were already 20 or so people signed up as interested in SciFi in Austin when I checked on meetup. No one had stepped up to organize the group. After making sure that there were no financial liabilities (that is the important bit of information) I signed up as organizer, and actively started promoting the group. After discovering my love for Firefly, I volunteered to organize the local Firefly group, hoping to roll interest for that show into a large active group of SF fans in Austin.
That dream ended abruptly when Meetup.com’s new management hit upon the idea of charging organizers a monthly fee for their groups. Fan groups run on shoestrings. There is no money available to pay for flashy organizing tools and whizbang graphics. Most of them meet in the back rooms of cheap restaurants for free, because they can’t afford to rent a room to meet in.
Consequently the majority of meetup’s membership objected to the change in policy. But the management at Meetup was adamant that they were going to start charging. When they did, I left, as I had promised to do. As did more than 3/4’s of the membership. What was once a vibrant open community became a virtual ghost town.
…Until the next election rolled around. Elections that are awash with cash to spend on things like organizational tools.
But I’m still not interested, not even if it costs me nothing personally. I like open systems. Systems that invite average people to join and contribute. Meetup is not one of those systems. Consequently, I don’t have the time of day for them, much less the inclination to bolster their ranks and justify their decision to charge for services.
Got my SciFi update from About the other day, giving me the low-down on all the new shows coming out midseason. There seem to be a lot of them. I hope this trend continues, because I’m truly tired of the rerun hell that usually abounds on television after about February.
Top of the list is one I’m going to make a point to miss. The ads for Sarah Connor Chronicles have looked so lame that not even the appearance of Summer Glau in the series will be enough to get this Firefly fan to tune in. Not even for one episode. I actually don’t need to write anything else on the subject, because the new editor over at About SciFi pretty well sums it up with this:
Is there anything left to say about Sarah and John Connor? Apparently. Not only is a fourth movie coming, but now Sarah Connor, inserted after T2, with Sarah (British actress Lena Headey) and 15-year-old John (Thomas Dekker, from Heroes) on the run from both contemporary authorities and cyborgs from the future. Watch creator Josh Friedman try to create jeopardy for characters whose complete past and future we already know! Watch the urbane Headey evoke unslakable yearning for Linda Hamilton’s angry growl and big biceps! Watch a series designed to revive a moribund franchise turn out to be completely inessential!
Don’ t believe me about the ads? Here’s one. Wish I could find the one that set me off; it was full of action and explosions, just like this one, and ended with a comment about mom fixing dinner. Sorry, just can’t suspend disbelief that far; I don’t want to risk brain damage by hitting myself in the head that hard.
There’s a reason why none of the dystopia stories seems to translate well to series television (and even seems to break down in sequel films) and it has to do with maintaining tension in the story on a week to week basis, and keeping it believable at the same time. I predict that this series will be every bit as lame as the Planet of the Apes television series was, and just as short lived.
On the other hand, I see that Jericho is up for a second season, and now I’m kicking myself for not having taken the time to watch the first. Several friends (whose opinions I trust) told me I needed to check it out when it first aired. Now I’m on the fence about coming in mid-story. I might take the time.
I doubt it, though. What with Torchwood (which I watch just for the fun of it) Battlestar Galactica and Doctor Who all coming out with new shows (not to mention Ghost Hunters, Ghost Whisperer and other shows that I follow with The Wife. The fact that we watch Ghost Whisperer, Moonlight and Numb3rs has us tuned in to CBS pretty much all night Friday. Thank goodness for the PVR or I wouldn’t get to watch Stargate Atlantis and 20/20 as well) There was so much to watch last year, that I started watching both Bionic Woman and Journeyman, and had to drop them for lack of time (not to mention I just couldn’t seem to get into the shows. That goes double for Chuck. I’m sorry Adam, I just can’t go there) I’m quite glad that Heroes seems to be done for the season; I was getting near to letting that one drop off my radar as well.
The About SciFi guide left LOST off the list (I guess it’s just not SciFi enough for them) That and Stargate Atlantis are the two shows I’m really looking forward to. I have no idea how they will maintain tension on LOST (which is sort of dystopic) either. After loosing their way in the second season, and going somewhere completely unexpected in the third, I don’t even want to hazard a guess about the rest of the series. I’m just hoping it ends as well as it began.
Work schedules. I hate ’em. I’ve always hated ’em. Ditto for television schedules. Hell, just include event planning of any kind. When you say you’re going to do something on a particular date and time, then that something should occur on that date, at that time. And, if you’re going to change the date and time, you really ought to warn the people who might be anticipating the occurrence of same. Getting my drift?
Let’s say, you really want to watch that new show on Scifi channel, and they’ve told you it’s going to premiere on thus and such a date. Now, you know this is Sciffy, and you don’t want to record the hundred or so other airings of the same program, so you set the DVR (don’t have one? Get one. There’s two kinds of TV watching; before you have a DVR, and after. There is no going back from the experience) to restrict itself to the announced time and date of the program.
…and then they change it! No warning, no nothing. If the program is part of SciFi Friday, if you promote it as being part of SciFi Friday, doesn’t it make sense to leave it as a part of SciFi Friday, to aviod confusion. SciFi is just an example. ABC, NBC and CBS are worse; especially with the not-so-popular shows that tend to get shuffled around. Don’t even get me started on the subject of Fox and Firefly; or TVLand and their inability to actually start shows within 10 minutes of scheduled showtimes. What’s the point of an announced schedule if you aren’t going to adhere to it?
Or the family event that you’re expected to attend. Someone else does the planning, you’re just along for the ride. Tell me when to show up, and I’ll be there. Then they change it, never tell you they changed it, and are actually puzzled when this annoys you. “No, really, I like driving an hour for no reason, and then waiting for the rest of you clowns to show up. I want to do that more often” Common courtesy, ever heard of it?
Then there’s work schedules. Cast in stone, never to be altered, work schedules. You never have the days off that you want. Somebody else has always got better days off than you. And if you are setting the schedule, no one ever wants to work shifts outside of 8am to 6pm; and even in a 24 hour 365 day business, no one wants to work holidays at any time. They all whine incessantly. But you can’t change the schedule, because it’s the schedule that everyone has agreed to abide by.
Or at least, that’s the way it ought to be. Reliable scheduling, at least at work.
(here’s a thought, try offering cash incentives for holiday work and after hours work; and make sure the employee’s understand it’s an incentive. Or perhaps you should axe a few of the whiners just as an example to the rest of the crew. I just wish I could do that when it comes to family outings…)
Saturday, June 23rd, 2007 Alamo Drafthouse Downtown Time and Special Guests TBA Schedule of Events TBA
Can’t Stop the Serenity 2006 raised over $65,000 for Equality Now, and we are looking to raise $100,000 in 2007!
For more information about the screening, visit our Theatre page (coming soon). We are in need of volunteers. See our Get Involved! page, as well as our News section below to keep apprised of our volunteer opportunties and descriptions. We are also looking for individuals and businesses to donate items to be used for our raffle and silent auctions. Based on donations and sponsorships, we will try to offer door prizes. More information about that will be available in our News and Theatre section.
Long on talk, very short on pertinent information (such as availability of tickets)
I’ve never been fond of the downtown location for the Drafthouse, and I think the Ritz will be a nice step up for them. On the other hand, the Drafthouse has been at it’s current location for 10 years now, so it’s closing will be a bit of an event. One that I’m also hoping to attend.
It’s at this point in the post that I’d like to mention that Tim League completely stole this whole “restaurant in a theatre” idea from me, and the move to the Ritz proves it. It was at an office party held in the building that was/will be the Ritz, about 17 years ago, that I first conceived of the idea.
Three beers down, playing pool with a few co-workers, I look up and notice that the ‘screenwall’ of the former theatre dominates the room, screaming for something to be shown on it. And it suddenly hit me, why not? Why not serve food and drinks, maybe even play pool, while watching a film?
The difference between Tim and I is, I just talked about it, he went out and did it. Congrats on 10 years Tim. Here’s hoping for 10 more that are just as successful.
I have to say that this season (third season) of Lost has definately got me more on edge early on than last season did. I’m wondering if they can keep up the tension. The only way I’ll find out is if I keep watching, I guess.